Northwest Center
for
Early Music Studies

Margriet Tindemans, workshop director


Workshop Faculty




Margriet Tindemans
,
workshop director, has delighted audiences all over the world with her performances on early stringed instruments: viola da gamba, medieval fiddle and rebec, Renaissance and baroque viola, lira da braccio, gittern, harp, and psaltery.  She performs and records as a soloist and with Medieval Strings, the King's Noyse, and Seattle Baroque.  She was a founding member of Sequentia and directs the Medieval Women's Choir in Seattle. Her life-long involvement with the music of Hildegard von Bingen has led to many engagements as lecturer, performer and teacher.  She is a passionate teacher: at the University of Washington, as director of Seattle's Northwest Center for Early Music Studies, and at the Baroque Program of the Vancouver Early Music Summer Festival.


Shira Kammen,
bowed strings, has dedicated her life to performing and teaching music. She received her degree in music from UC Berkeley and studied vielle with Margriet Tindemans. A member of Ensemble Alcatraz, Ensemble P.A.N., and Medieval Strings, she has also worked with Sequentia, Hesperion XXI, and the Boston Camerata, and is a founding member of Class V Music, a group dedicated to performing on rafting trips. Ms. Kammen has taught and performed music in the U.S., Europe, Canada and Morocco, and on the Colorado and Rogue Rivers.


Drew Minter, voice,
is regarded as one of the world’s finest countertenors. Drew received his early training as a boy treble in the Washington Cathedral Choir of Men and Boys. He continued his education with a B.S. in Music and Languages from Indiana University and a Diploma in Lieder and Oratorio from the Academy of Music in Vienna. Mr. Minter is a founding member of the The Newberry Consort and Trefoil and sings and plays early harps regularly with My Lord Chamberlain’s Consort, ARTEK, and the Folger Consort. He has made over 50 recordings on Harmonia Mundi, Decca/London, Newport Classics, Hungaroton and others. He appears in two films: as Tolomeo in Peter Sellars’s "Giulio Cesare," and as the Devil in "In the Symphony of the World; a Portrait of Hildegard of Bingen." He writes regularly for Opera News.


Mark Rimple, medieval lute and voice,
is active in the Philadelphia area as a countertenor, lutenist, and composer. Along with Drew Minter and Marcia Young, he is a founding member of Trefoil, a New York-based vocal-instrumental ensemble devoted to the performance of fourteenth century music. He has also appeared as a countertenor and lutenist with Piffaro, the New York Collegium, The Ensemble for Early Music, Brandywine Baroque, the Mark Morris Dance Company, and the Philadelphia Classical Symphony. As a composer he has written a number of works for early instruments including "Portriat of a Dying Empire" for soprano saxophone and harpsichord, and a setting of Ave Maris Stella for two voices and baroque organ.


 


For further information contact:

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Early Music Guild
2366 Eastlake Avenue E., Suite #325
Seattle, WA 98102-3399


Phone: (206) 325-7066
FAX: (206) 860-9151

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Last modified: March 11, 2005
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